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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Mutt

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Foundation Universe
                  Foundation Universe

                  universe · 123 books · 1940

                  Start hereFoundation · Start here

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                  There is a science that reads the future of quadrillions the way an astronomer reads the orbits of stars. It is called psychohistory, and its equations foresee something the ruling Galactic Empire cannot admit: the throne is rotting, and thirty thousand years of barbarism are coming. One man, Hari Seldon, cannot stop the fall. He can only shorten it — by seeding a Foundation of scholars at the rim of the galaxy, a fragile institution built to carry knowledge across the dark and cut the interregnum to a single millennium. This is a universe told in the register of history itself: the long view, the calm of deep time, empires measured in centuries and men measured against them. The spine is Asimov's original trilogy — Foundation, Foundation and Empire, Second Foundation — followed decades later by the sequels Foundation's Edge and Foundation and Earth and the prequels Prelude to Foundation and Forward the Foundation. Late in life Asimov braided this in with his other future histories: the Robot novels of detective Elijah Baley and his humaniform partner R. Daneel Olivaw (The Caves of Steel, The Naked Sun, The Robots of Dawn, Robots and Empire) and the early Galactic Empire novels (Pebble in the Sky and its kin), until one continuous chronicle ran from the first thinking robots to the Second Empire. Other hands extend it — the Second Foundation Trilogy by Gregory Benford, Greg Bear, and David Brin, and shared-world spinoffs such as Robot City — so the corpus sprawls beyond a single author's tidy shelf. What distinguishes it is that the drama is intellectual: crises resolved by insight, nerve, and dialogue rather than fleets and blades, each turn hinging on the hidden logic of the Seldon Plan. Begin where readers have always begun — with Foundation, and the original trilogy in publication order. The rest opens outward from there.

                • Cover of Silver Metal Lover
                  Silver Metal Lover

                  series · 2 books · 1981

                  completed

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                  The S.I.L.V.E.R. series is a fantasy novel series by Tanith Lee. The Silver Metal Lover, published in 1981, is the first in the series. Metallic Love, published in 2005, is the second novel.

                • Cover of Mila 2.0
                  Mila 2.0

                  series · 5 books · 2013

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                • Cover of The Wild Robot
                  The Wild Robot

                  series · 4 books · 2016

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                  Peter Brown's 2016 novel follows a robot washed ashore on a remote island who ends up raising an orphaned gosling, adapting to wild island life among animals unused to her presence. It was later adapted into the 2024 animated film of the same name. The Wild Robot Escapes and The Wild Robot Protects continue the same character's story across the rest of the trilogy.

                • Cover of Psy-Changelings
                  Psy-Changelings

                  series · 38 books · 2006

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                  Nalini Singh's long-running paranormal romance series imagines a future where the emotion-suppressing Psy, animal-shifting Changelings, and ordinary humans share an uneasy world. It opens with Slave to Sensation, pairing a Psy telepath and a Changeling leopard alpha as a string of murders pushes their two peoples toward war, while a slower arc across the books tracks the Psy's emotional-control system fraying. The series has grown across two decades into more than twenty novels plus spin-off novellas.

                • Cover of Nova
                  Nova

                  Samuel R. Delany · standalone novel · 1968

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                  Nоva is a science fiction novel by American writer Samuel R. Delany published in 1968. The plot concerns the spaceship captain Lorq Von Ray's search for a nova, which will produce the essential power source Illyrion, and his vendetta with the Red family, who seek to kill him. Nominally space opera, it explores the politics and culture of a future where cyborg technology is universal, yet making major decisions can involve using tarot cards. It has strong mythological overtones, relating to both the Grail Quest and Jason's quest for the Golden Fleece.

                • Cover of Cyborg Shifters
                  Cyborg Shifters

                  series · 7 books · 2017

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                • Cover of Weapon
                  Weapon

                  series · 2 books · 1989

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                • Cover of Blade Runner Universe
                  Blade Runner Universe

                  series · 6 books · 1968

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                  Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? follows bounty hunter Rick Deckard as he tracks escaped androids through an irradiated, near-abandoned San Francisco, using the hunt to probe questions of empathy and what separates human from machine. The novel became the basis for Ridley Scott's 1982 film Blade Runner, and Marvel Comics later published an illustrated adaptation of that film. Together the two trace the story's path from prose original to screen and comic-page adaptation.

                • Cover of GhostWalkers
                  GhostWalkers

                  series · 20 books · 2003

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                  Christine Feehan's GhostWalkers novels follow soldiers subjected to a covert military program that enhanced them with psychic and physical abilities, then follow them as they go rogue from the program that made them and pair off in romance-driven, danger-filled storylines. Each book generally centers a different GhostWalker couple while advancing an ongoing conspiracy plot about the program's origins and enemies. The series began with Shadow Game in 2003 and has continued for two decades as one of Feehan's longest-running paranormal romance lines.

                • LU
                  Lux Universe

                  series · 11 books · 2011

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                • Cover of Dark-Hunter
                  Dark-Hunter

                  series · 65 books · 2000

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                  Dark-Hunter is a term from a paranormal romance and fantasy series by Sherrilyn Kenyon. Kenyon began writing the series in 1986 in horror, fantasy and science fiction magazines.

                • Cover of City
                  City

                  series · 19 books · 1944

                  completed

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                  City is Clifford D. Simak's fix-up novel, assembling eight linked stories originally published in Astounding Science Fiction during the 1940s and framed as legends dogs tell about a half-mythical creature called Man. It follows humanity's gradual abandonment of its cities and eventual departure from Earth, while the dogs left behind are surgically uplifted into a peaceable, speaking civilization of their own. The book won the International Fantasy Award in 1952.

                • Cover of Princes of Symtaria
                  Princes of Symtaria

                  series · 3 books · 2010

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                • K
                  Kairos

                  series · 11 books · 1962

                  completed

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                  The Time Quintet is a science fantasy series of five young adult novels written by American author Madeleine L'Engle and made up of A Wrinkle in Time (1962), A Wind in the Door (1973), A Swiftly Tilting Planet (1978), Many Waters (1986), and An Acceptable Time (1989).

                • Cover of Echo Boy
                  Echo Boy

                  Matt Haig · standalone novel · 2014

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                  Set In the future where global warming has caused drastic changes to the world. Technology has improved and almost every home has its own echo (humanlike androids) to do menial work. Main character Audrey's father is against the use of echoes and taught her to maintain her humanity. But then she meets Daniel an echo who can actually feel. When Audrey finds herself in dangerous situation Daniel is determined to save her.

                • Cover of Warm Bodies
                  Warm Bodies

                  series · 3 books · 2010

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                  In an abandoned airport where the dead shuffle through half-remembered lives, a zombie known only as R feels something stir when he meets Julie, a survivor he chooses to protect instead of eat. Isaac Marion's Warm Bodies follows R's slow, contagious return to feeling -- reshaping the zombies around him along the way -- and continues through the novella The New Hunger and the sequel The Burning World.

                • Cover of The Themis Files
                  The Themis Files

                  series · 3 books · 2015

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                  Sylvain Neuvel's Themis Files opens when a girl falls into a hole in South Dakota and lands on the palm of a giant metal hand buried underground; the trilogy picks up years later as she leads the team trying to determine what the hand is part of and why it's there. Sleeping Giants and its sequels are told almost entirely through interview transcripts conducted by an unnamed, evasive interrogator, giving the series a documentary, oral-history feel unusual for first-contact SF. The mystery escalates from an archaeological puzzle into a question of who else is looking for the same answer.

                • Cover of Heart of Stone / Gargoyles
                  Heart of Stone / Gargoyles

                  series · 6 books · 2013

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                • Cover of Guardians Trilogy (Nora Roberts)
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                • Cover of The Circle Trilogy
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                  series · 3 books · 2006

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                • Cover of Sea of Rust
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                • Cover of Lunar Chronicles
                  Lunar Chronicles

                  series · 15 books · 2011

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                  The Lunar Chronicles is a series of four young adult science fiction novels, a novella, and a short story collection written by American author Marissa Meyer and published by Feiwel & Friends. Each book entails a science fictional twist on a classic fairy tale, including "Cinderella", "Little Red Riding Hood", "Rapunzel", and "Snow White". Set in a futuristic world inhabited by various species and creatures, tensions are rising between Earth and its former colony Luna, while both attempt to manage an ongoing pandemic.

                • Cover of Scierogenous
                  Scierogenous

                  series · 2 books · 2017

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