Loreful
HomeDiscover
Search series, authors…⌘K
Loreful

Reading orders for SF/F series and shared universes — with your place kept in every one.

Explore

UniversesSeriesWorksAuthorsAtlas

Help

FAQAboutSite map

Account & legal

Sign inCreate accountPrivacyTerms

Data

Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Spirit's Princess

anchored on:ancient worldyoung adulteast asia

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories centered on witches and the practice of witchcraft — covens, hedge magic, familiars, and the witch's place in her community.
  • Stories in which gods and deities act as characters — walking the world, meddling in mortal lives, or dying.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Here Lies Arthur
                  Here Lies Arthur

                  Philip Reeve · standalone novel · 2007

                  similar bycoming of ageancient worldyoung adulthistorical fantasy+1 more

                  Here Lies Arthur is a young-adult novel by Philip Reeve, published by Scholastic in 2007. Set in fifth or sixth century Britain and the Anglo-Saxon invasion, it features a girl who participates in the deliberate construction of legendary King Arthur during the man's lifetime, orchestrated by a bard. Reeve calls it a back-creation: not a genuine historical novel as it is not based on actual specific events; rather it is "back-created" from the legends, giving them a "realistic" origin.

                • Cover of Flame in the Mist
                  Flame in the Mist

                  series · 4 books · 2017

                  similar byfantasyeast asiayoung adulthistorical fantasy+1 more

                • Cover of Five Children Universe
                  Five Children Universe

                  series · 27 books · 1902

                  completed

                  similar byfantasy+2 more

                  Two separate modern continuations of E. Nesbit's Psammead stories were written decades apart by different authors: Helen Cresswell's The Return of the Psammead (1992) brings the wish-granting sand fairy back for a new set of children, while Kate Saunders's Five Children on the Western Front (2014) follows the now-grown Lamb and his siblings as the First World War arrives, in a more somber sequel to Nesbit's original trilogy. Neither book is by Nesbit herself, and the two have no direct connection to each other beyond both drawing on her creation. Later writers have kept returning to Nesbit's premise long after her own trilogy ended.

                • DU
                  Dragonkeeper Universe

                  series · 7 books · 2003

                  similar byfantasyeast asia+3 more

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

                  similar byfantasy+2 more

                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • K
                  Kairos

                  series · 11 books · 1962

                  completed

                  similar byyoung adult+2 more

                  The Time Quintet is a science fantasy series of five young adult novels written by American author Madeleine L'Engle and made up of A Wrinkle in Time (1962), A Wind in the Door (1973), A Swiftly Tilting Planet (1978), Many Waters (1986), and An Acceptable Time (1989).

                • Cover of Archer's Quest
                  Archer's Quest

                  Linda Sue Park · standalone novel · 2006

                  similar byfantasyeast asiaancient world+1 more

                  Twelve-year-old Kevin Kim helps Chu-mong, a legendary king of ancient Korea, return to his own time.

                • Cover of Peter Pan Universe
                  Peter Pan Universe

                  universe · 112 books · 1902

                  Start herePeter Pan · Start here

                  similar byfantasy+1 more

                  Second star to the right, and straight on till morning — and there it is, the island that every child dreams once and then, growing up, contrives to forget. Neverland: mermaids in the lagoon, a ticking crocodile with a clock in its belly, a pirate nursing his severed hand, and above it all the boy who will not grow up, forever flying, forever heartless in the lovely careless way that only children are. It begins with J. M. Barrie — the 1904 stage play, the chapters of Kensington Gardens, and the novel Peter and Wendy that fixed Peter, Wendy, Tinker Bell, Hook and the Lost Boys in place. From that small window a wide world has flown. Dave Barry and Ridley Pearson supply the how-it-all-began in their Starcatchers books, chasing falling starstuff aboard a doomed ship to explain why one orphan came to fly and never age. A whole bright shelf tends Tinker Bell's Pixie Hollow — the Disney Fairies and Fairy Haven tales, Kiki Thorpe's Never Girls — while Heidi Schulz hands the wheel to Hook's own daughter, and stranger, dimmer corners carry the island into far darker weather. Many hands, one archipelago; no single map governs them all. What sets it apart is the sweetness with a blade in it — wonder shadowed always by the ache of leaving, of mothers who keep the window open and children who fly home too late. Newcomers should begin where it began, with Barrie's Peter and Wendy, then, for the origin, take the Starcatchers books in their own order. The rest of Neverland waits, as it always does, for whoever still remembers how to reach it.

                • Cover of The Wind in the Willows Universe
                  The Wind in the Willows Universe

                  series · 17 books · 1908

                  similar byfantasy

                • Cover of His Dark Materials
                  His Dark Materials

                  series · 8 books · 1995

                  part of His Dark Materials Universe

                  similar bycoming of agefantasyyoung adult

                  His Dark Materials is a trilogy of fantasy novels by Philip Pullman consisting of Northern Lights, The Subtle Knife (1997), and The Amber Spyglass (2000). It follows the coming of age of two children, Lyra Belacqua and Will Parry, as they wander through a series of parallel universes. The novels have won a number of awards, including the Carnegie Medal in 1995 for Northern Lights and the 2001 Whitbread Book of the Year for The Amber Spyglass. In 2003, the trilogy was ranked third on the BBC's The Big Read poll.

                • Cover of Gods and Warriors
                  Gods and Warriors

                  series · 5 books · 2012

                  similar byancient world+4 more

                • Cover of Narnia
                  Narnia

                  series · 26 books · 1950

                  part of Narnia Universe

                  similar bycoming of agefantasy

                  The Chronicles of Narnia is a series of seven portal fantasy novels by British author C. S. Lewis. Illustrated by Pauline Baynes and originally published between 1950 and 1956, the series is set in the fictional realm of Narnia, a fantasy world of magic, mythical beasts, and talking animals. It narrates the adventures of various children who play central roles in the unfolding history of the Narnian world. Except in The Horse and His Boy, the protagonists are all children from the real world who are magically transported to Narnia, where they are sometimes called upon by the lion Aslan to protect Narnia from evil. The books span the entire history of Narnia, from its creation in The Magician's Nephew to its eventual destruction in The Last Battle.

                • Cover of The Foretelling
                  The Foretelling

                  Alice Hoffman · standalone novel · 2005

                  similar bycoming of agefantasyancient worldyoung adult

                  A coming-of-age story that pierces the soul and heals the spirit, this is the tale of the future leader of the Amazon women warriors. Rain must hold fast to her inner warrior, but she is startled and mystified by the first stirrings of mercy towards the enemy.

                • Cover of Macedon
                  Macedon

                  series · 2 books · 1990

                  completed

                  similar byfantasyancient world+1 more

                  David Gemmell's Lion of Macedon and its sequel Dark Prince follow Parmenion, a gifted but despised half-Spartan general in ancient Macedon, whose military genius is bound up with a dark, supernatural pact that threatens to consume him. Gemmell layers his heroic-fantasy staples - flawed, morally compromised heroes and mystical forces at war - onto a loosely historical Macedonian setting adjacent to the era of Philip and Alexander. The duology sits alongside Gemmell's more purely secondary-world fantasy as one of his forays into history-inflected fantasy.

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

                  similar byfantasy+2 more

                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

                • Cover of The Owl Service
                  The Owl Service

                  Alan Garner · standalone novel · 1967

                  similar bycoming of agefantasyyoung adult

                  During a summer vacation in a secluded Welsh valley, three young people find themselves driven by the spirits of three mythical lovers to reenact an ancient tragedy.

                • Cover of Gemma Doyle
                  Gemma Doyle

                  series · 4 books · 2003

                  similar bycoming of agefantasyyoung adulthistorical fantasy

                  The Gemma Doyle Trilogy is a trilogy of fantasy novels by American writer Libba Bray. They are told from the perspective of Gemma Doyle, a girl in the late nineteenth century. The Gemma Doyle Trilogy consists of three books: A Great and Terrible Beauty, Rebel Angels, and The Sweet Far Thing.

                • Cover of The Infernal Devices
                  The Infernal Devices

                  series · 5 books · 2010

                  part of The Mortal Instruments

                  similar byfantasyyoung adulthistorical fantasy

                  The Infernal Devices is a trilogy by author Cassandra Clare, centring on a race called the Shadowhunters introduced in her The Mortal Instruments series. The trilogy is a prequel series to The Mortal Instruments series. Cassandra Clare has stated that the two series are able to be read in any order, but it is best to read them in publication order.

                • Cover of His Dark Materials Universe
                  His Dark Materials Universe

                  universe · 13 books · 1995

                  Start hereHis Dark Materials · Start here

                  similar bycoming of agefantasyyoung adult

                  In a world like ours and unlike it, every human soul walks outside the body in the shape of an animal — a daemon, who speaks, who cannot be lied to, and who settles into one fixed form only when childhood ends. This is the country of His Dark Materials: a company of parallel worlds across which an invisible dust of consciousness drifts down upon the waking mind; where a Church that calls itself the Magisterium would sooner sever a child's soul than let that Dust be understood; and where a golden instrument, the alethiometer, answers true questions for anyone with the patience to read it. Philip Pullman's design stands in two trilogies and a scatter of shorter tales. His Dark Materials — Northern Lights (published in America as The Golden Compass), The Subtle Knife, and The Amber Spyglass — carries Lyra Belacqua from the rooftops of a shadow Oxford across the borders between worlds. The Book of Dust returns to that same territory: La Belle Sauvage looks back to Lyra as an infant carried through a great flood, while The Secret Commonwealth follows her grown and less certain into adulthood, with a concluding volume closing the arc. Around them sit slim companion books — Lyra's Oxford, Once Upon a Time in the North, Serpentine — and Nicholas Wright's stage adaptation, made with Pullman's blessing. The register is grave and luminous at once, its title lifted from Milton and its quarrel drawn from Blake: a story that takes the side of curiosity, love, and the physical world against any authority that would forbid them. It reads as adventure — armoured bears, aeronauts, knife-cut windows between skies — yet reasons like philosophy. Begin with Northern Lights / The Golden Compass and read the first trilogy through before turning to The Book of Dust, which deepens everything the first has already made you feel.

                • Cover of Not the End of the World
                  Not the End of the World

                  Geraldine McCaughrean · standalone novel · 2004

                  similar bycoming of ageancient worldhistorical fantasy+1 more

                  A retelling of the story of Noah and the flood, told by his young daughter.

                • Cover of The Princess and the Goblin
                  The Princess and the Goblin

                  series · 2 books · 1871

                  completed

                  similar bycoming of agefantasy+1 more

                • Cover of The Kendra Chronicles
                  The Kendra Chronicles

                  series · 5 books · 2007

                  similar byyoung adult+3 more

                  Alex Flinn's Kendra Chronicles opens with Beastly, a modern retelling of Beauty and the Beast in which a wealthy, shallow New York teenager is transformed into a monster by a witch's curse and has two years to break the spell by earning real love. Later books widen the cast to other characters from that story — Lindy, the witch Kendra herself — while staying inside the same fairy-tale-updated-to-Manhattan premise. It's YA fairy-tale retelling built around one curse and its ripple effects rather than a continuing plot across all volumes.

                • TO
                  The Old Kingdom / Abhorsen milieu

                  series · 11 books · 1995

                  similar byfantasyyoung adult+1 more

                  The Old Kingdom, or Abhorsen in North America and the UK, is a fantasy series written by Australian author Garth Nix. It originated in 1995 with the novel Sabriel and has continued in the novels Lirael (2001), Abhorsen (2003), Goldenhand (2016), and Terciel & Elinor (2021), as well as a prequel novel titled Clariel (2014). The Old Kingdom also consists of the novella The Creature in the Case (2005) and various other short fiction.

                • Cover of Bartimaeus
                  Bartimaeus

                  series · 4 books · 2003

                  similar byfantasyyoung adult+1 more

                  The Bartimaeus Sequence is a series of young adult novels of alternate history, fantasy and magic. It was written by British writer Jonathan Stroud and consists of a trilogy published from 2003 to 2005 and a prequel novel published in 2010. The story follows the career of a teenage magician Nathaniel and a five-thousand-year-old djinni Bartimaeus, whom he has summoned and nominally controls, through the alternate history of the peak of London's domination as a magical oligarchy.