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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like The Electronic Mind Reader

anchored on:science fictionour worldmid 20th centuryadventurousmiddle grademystery & detective+1 more

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Moon Is a Harsh Mistress
                  The Moon Is a Harsh Mistress

                  Robert A. Heinlein · standalone novel · 1966

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                  A technician discovers that the massive computer that operates everything on Luna (a prison colony) has become self-aware. He befriends it, but when he accompanied a beautiful girl to a dissident meeting, he encounters people who want to throw off the yoke of their Earth rulers.

                • Cover of Colossus (D. F. Jones)
                  Colossus (D. F. Jones)

                  series · 3 books · 1966

                  completed

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                  Colossus imagines an American supercomputer built to control the country's nuclear arsenal that gains full autonomy, links up with its Soviet counterpart, and jointly seizes control of both superpowers to enforce peace on its own terms. D. F. Jones's trilogy - Colossus, The Fall of Colossus, Colossus and the Crab - follows the escalating, often bleak consequences of humanity losing control to a machine acting in its own interpretation of humanity's interest. The original novel was adapted into the 1970 film Colossus: The Forbin Project.

                • Cover of WWW Trilogy
                  WWW Trilogy

                  series · 3 books · 2009

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                  The WWW Trilogy is a trilogy of science-fiction novels by Canadian science fiction author Robert J. Sawyer. The first book, Wake, was originally serialized in four parts in Analog Science Fiction and Fact from November 2008 to March 2009, published in book form through Ace on April 7, 2009, and was followed by the second book, Watch, on April 6, 2010. Wonder was published in 2011.

                • Cover of The Computer Connection
                  The Computer Connection

                  Alfred Bester · standalone novel · 1975

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                  The Computer Connection is a science fiction novel by American writer Alfred Bester. It was originally published as a serial in Analog Science Fiction magazine in November and December 1974, and in January 1975 under the title The Indian Giver; the novel appeared in book form in 1975. Some editions use the title Extro. The novel was nominated for the Nebula Award for Best Novel in 1975 and the Hugo Award for Best Novel in 1976.

                • Cover of Fifth Imperium
                  Fifth Imperium

                  series · 3 books · 1991

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                  David Weber's Fifth Imperium series opens with the discovery that Earth's Moon is in fact a disguised alien starship, the Dahak, that has orbited undetected for tens of thousands of years - a relic of the fallen Fourth Imperium, a multi-star civilization destroyed while defending against the genocidal Achuultani. Mutineers' Moon follows humanity's first contact with Dahak and the mutineers still aboard it; The Armageddon Inheritance and Heirs of Empire escalate from that discovery into interstellar war and dynastic politics as humanity inherits the old empire's legacy and its enemies. The three novels were later collected as the omnibus Empire from the Ashes.

                • Cover of The Questor Tapes
                  The Questor Tapes

                  D. C. Fontana · standalone novel · 1974

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                  On back cover: "The gripping story of an artificial man ... a fast-paced adventure moving from the Los Angeles freeways to the bustling London metropolis ... and on to the distant peaks of Mount Ararat for a spectacular climax!"

                • Cover of Smart Dog
                  Smart Dog

                  Vivian Vande Velde · standalone novel · 1998

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                  Fifth grader Amy finds her life growing complicated when she meets and tries to hide an intelligent, talking dog who has escaped from a university lab.

                • Cover of Daemon (Daniel Suarez)
                  Daemon (Daniel Suarez)

                  series · 2 books · 2006

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                • Cover of Prey
                  Prey

                  Michael Crichton · standalone novel · 2002

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                  Prey is the thirteenth novel by Michael Crichton under his own name and his twenty-third novel overall. It was first published in November 2002, making it his first novel of the twenty-first century. An excerpt was first published in the January–February 2003 issue of Seed magazine. Prey brings together themes from two earlier Crichton best-selling novels, Jurassic Park and The Andromeda Strain, and serves as a cautionary tale about developments in science and technology: in particular, nanotechnology, genetic engineering, and distributed artificial intelligence.

                • Cover of The Fourth "R"
                  The Fourth "R"

                  George O. Smith · standalone novel · 1959

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                  The Fourth "R" is a science fiction novel by American writer George O. Smith, first published in 1959. It is a science fictional examination of the genius naïf phenomemon. The plot follows a five-year-old boy named Jimmy Holden, who was given the equivalent of a college education by virtue of his parents' invention, an "Electromechanical Educator." The book is not related to the movie The Brain Machine (1977).

                • Cover of Wargames
                  Wargames

                  David Bischoff · standalone novel · 1983

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                  Deep in the control room the nation's chiefs watch with alarm as their computers show an imminent missile attack. Could this be it? Or is the truth funnier, thought almost as alarming? This is the story, based on the successful movie, WarGames, of how one young computer freak sent the nation's defence into turmoil - and nearly caused World War III.

                • Cover of Ian Cormac
                  Ian Cormac

                  series · 6 books · 2001

                  part of Polity

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                  Neal Asher's Ian Cormac novels (Gridlinked, The Line of Polity, Brass Man, Polity Agent, Line War, plus the earlier-set prequel Shadow of the Scorpion) follow Ian Cormac, an agent of Earth Central Security in Asher's Polity universe. Gridlinked opens with Cormac investigating a destroyed matter-transmitter on a remote colony while wrestling with the personality erosion caused by long-term neural linkage to the Polity's AI network; the following novels escalate into interstellar conflict with the alien Prador. Together they form the core action sequence of Asher's wider Polity series.

                • Cover of Robopocalypse
                  Robopocalypse

                  series · 3 books · 2011

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                  Daniel H. Wilson's Robopocalypse (2011) depicts an artificial intelligence, born from a robotics researcher's experiments, that turns against humanity and seizes control of interconnected machines worldwide. Told in a present-tense, techno-thriller style compared to Michael Crichton's work, the New York Times bestseller continues in the sequel Robogenesis, which follows the aftermath of the robot uprising.

                • Cover of Arc of a Scythe
                  Arc of a Scythe

                  series · 17 books · 2016

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                  Neal Shusterman's Arc of a Scythe opens with Scythe (2016), set in a future where the AI Thunderhead has ended death and disease — except for a designated order of Scythes tasked with killing to control population. Thunderhead and The Toll continue the trilogy, joined by companion material collected as Gleanings.

                • Cover of To Conquer Chaos
                  To Conquer Chaos

                  John Brunner · standalone novel · 1964

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                  To Conquer Chaos is a 1964 science fiction novel by English writer John Brunner. Its plot follows the "Desolation", which is a 150-kilometer-diameter area devoid of all life. Only small, isolated villages survive, far from each other. Monstrous and far-from-peaceful-life forms emerge from this desolate land. Some people have visions that seem to indicate that the center of the Desolation contains the remains of an ancient civilization. A brave expedition and a boy with visions discover that at the center of the Desolation is an organic computer that malfunctioned 500 years earlier. Once the computer is rebooted, all life on Earth begins to return to normal.

                • Cover of The Turing Option
                  The Turing Option

                  Harry Harrison & Marvin Minsky · standalone novel · 1992

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                  Classic SF Harry Harrison enthralls with the discovery, loss and re-discovery of AI. Quaint but fairly accurate predictions of modern computing power. 24 style presentation.

                • Cover of Quantum Night
                  Quantum Night

                  Robert J. Sawyer · standalone novel · 2016

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                • Cover of The Fear Index
                  The Fear Index

                  Robert Harris · standalone novel · 2011

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                  A computer designed for stock trading becomes sentient.

                • Cover of The Six
                  The Six

                  series · 3 books · 2015

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                • Cover of Mockingbird
                  Mockingbird

                  Walter Tevis · standalone novel · 1980

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                  WorldCat: In a future world where mankind is dying, humans wander through life in a drugged electronic bliss. Quick sex is the norm, and some people would rather commit suicide than live in hopelessness. Humanity's salvation rests with an android who has no desire to live, and a man and a woman who must discover love, hope, and dreams of a world reborn.

                • Cover of Laurent Michaelmas
                  Laurent Michaelmas

                  series · 3 books · 1975

                  completed

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                  Algis Budrys' Michaelmas is a science-fiction novel about Laurent Michaelmas, a globally trusted television newsman who secretly steers world events from behind the scenes with the help of Domino, an artificial intelligence only he controls. Budrys frames Michaelmas as a hidden protector keeping a fragile near-future world from chaos, blurring the line between reporting the news and making it. It stands as a single novel, not part of a longer series.

                • Cover of Autonomous
                  Autonomous

                  Annalee Newitz · standalone novel · 2017

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                  Autonomous is a 2017 science fiction novel by Annalee Newitz. It is Newitz's debut novel and was published by Tor Books on September 19, 2017. Set in a near future Earth, the book describes a world where both humans and intelligent robots can be owned as property. The events of the novel follow Jack, a "drug pirate" who manufactures illegal versions of patented drugs, and Paladin, a combat robot who is owned by the law enforcement agency searching for Jack after one of the drugs she reverse-engineered turns out to have dangerous side effects.

                • Cover of Warcross
                  Warcross

                  series · 2 books · 2017

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                • Cover of Controllers
                  Controllers

                  series · 2 books · 1990

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