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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Those

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Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories about settling other planets or habitats — founding, sustaining, and governing colonies off Earth.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which belief, doubt, and religious life are the central subject, from crises of faith to life inside a religious community.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories about rising against rulers — uprisings, resistance movements, and revolutions and their aftermaths.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories about inequality between social classes — poverty and privilege, and the friction or open struggle between them.
  • Stories about empire — conquest, colonial rule, and its legacies for colonizer and colonized.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.

            Practical

            How long a commitment, whether it stands alone, and whether it has finished.

            Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

            • Cover of Childhood's End
              Childhood's End

              Arthur C. Clarke · standalone novel · 1953

              similar by+1 more

              Childhood's End is a 1953 science fiction novel by the British author Arthur C. Clarke. The story follows a peaceful alien invasion of Earth by mysterious Overlords, whose arrival begins decades of apparent utopia under indirect alien rule, at the cost of human identity and culture.

            • Cover of This Immortal
              This Immortal

              series · 2 books · 1966

              similar bycolonialism

              This Immortal is a single science fiction novel by Roger Zelazny, expanded from his 1965 serial ...And Call Me Conrad. In a depopulated future Earth largely toured by an alien race, its long-lived, secretive protagonist Conrad Nomikos is assigned to guide and protect a visiting alien across the ruins of Greece and Egypt, uncovering old grudges and assassination plots along the way. The novel shared the 1966 Hugo Award for Best Novel with Frank Herbert's Dune.

            • Cover of Herland
              Herland

              series · 2 books · 1915

              completed

              similar bycolonialism

            • Cover of The Years of Rice and Salt
              The Years of Rice and Salt

              Kim Stanley Robinson · standalone novel · 2002

              similar bycolonialism

              What if the Black Death had killed nearly everyone in Europe instead of a third of it? Kim Stanley Robinson opens on that premise with a Mongol scout named Bold, who finds a Hungarian city emptied by plague and only narrowly escapes execution meant to contain the contagion; sold into slavery, he ends up serving aboard a Chinese treasure fleet alongside a young African companion. From there the novel follows a recurring cast of souls, reincarnated across centuries and identifiable book to book by the first letter of their names, through an alternate history in which Islamic and Chinese civilizations, not a devastated Europe, shape the world's future.

            • Cover of Downward to the Earth
              Downward to the Earth

              Robert Silverberg · standalone novel · 1969

              similar bycolonialism

              Edmund Gunderson was the Terran administrator of the colony world of Belzagor, and he returns to it after it has gained independence, feeling a sense of guilt for the way he has treated its dominant species, the elephant-like nildoror, whose animalistic appearance had kept Gunderson from taking them seriously as sentient beings. On his return, he feels a new sense of kinship with the natives, perhaps more than for the Terran tourists. The nildoror undergo a process of rebirth, and Gunderson's greatest guilt comes from having denied rebirth to seven nildoror to make them help him repair flood damage.(From Wikipedia)

            • Cover of The Fifth Head of Cerberus
              The Fifth Head of Cerberus

              series · 4 books · 1972

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            • Cover of Island
              Island

              Aldous Huxley · standalone novel · 1962

              similar by+1 more

              Island is a 1962 utopian manifesto and novel by English writer Aldous Huxley, the author's final work before his death in 1963. Although it has a plot, the plot largely serves to further conceptual explorations rather than setting up and resolving conventional narrative tension.

            • Cover of Imperial Radch
              Imperial Radch

              series · 7 books · 2012

              part of Radchaai Universe

              similar by+1 more

              Ann Leckie's Imperial Radch trilogy (Ancillary Justice, Ancillary Sword, Ancillary Mercy, 2013-2015) follows Breq, the sole surviving fragment of an AI that once inhabited both a troop-transport starship and dozens of soldier bodies, now alone and hunting for revenge inside the vast, expansionist Radch empire. Breq's quest widens across the trilogy into a conflict with the empire's own fractured ruler, and the books use her alien difficulty perceiving gender to unsettle the space-opera conventions around her.

            • Cover of Sparrow
              Sparrow

              series · 2 books · 1996

              similar by+1 more

              Mary Doria Russell's The Sparrow (1996) follows a Jesuit-led mission to the planet Rakhat after radio signals from Alpha Centauri reveal it hosts intelligent life, alternating between the expedition and the traumatized return of its sole survivor, Father Emilio Sandoz, as he tries to explain what happened. The sequel Children of God (1998) follows Sandoz back to Rakhat and continues working out the theological and political fallout of first contact between humans and the planet's two native species.

            • Cover of Eden (Harry Harrison)
              Eden (Harry Harrison)

              series · 5 books · 1984

              completed

              similar by+1 more

              Harry Harrison's Eden trilogy imagines an Earth where the dinosaurs never died out, evolving instead into the Yilane, a technologically advanced reptilian civilization that shares the planet uneasily with early humans. West of Eden (1984) introduces the clash between the two species; Winter in Eden and Return to Eden carry it forward as a shifting climate forces both sides to adapt or die. It's an alternate-evolution saga more than a conventional dinosaur adventure.

            • Cover of Babel, or, The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution
              Babel, or, The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution

              R. F. Kuang · standalone novel · 2022

              similar bycolonialism

              Babel, or The Necessity of Violence: An Arcane History of the Oxford Translators' Revolution is a 2022 novel of speculative fiction by R. F. Kuang set in a fantastical version of Oxford in 1830s England. Thematically similar to The Poppy War (2018–20), Kuang's first book series, the book criticizes British imperialism, racism and capitalism, and the complicity of academia, knowledge, and language in perpetuating and enabling them.

            • Cover of Oswald Bastable
              Oswald Bastable

              series · 5 books · 1971

              part of Moorcock's Multiverse

              similar by+1 more

              Oswald Bastable follows an Edwardian-era British soldier flung into a series of alternate futures where the First World War never happened, opening with The Warlord of the Air (1971). Across the trilogy he drifts between rival empires and airship wars, an early and influential example of what would later be called steampunk. Michael Moorcock's A Nomad of the Time Streams trilogy sits within his wider multiverse of linked worlds and recurring avatars of the Eternal Champion.

            • Cover of The Languages of Pao
              The Languages of Pao

              Jack Vance · standalone novel · 1958

              similar bycolonialism

              The Languages of Pao is a science fiction novel by American writer Jack Vance, first published in 1958, based on the Sapir–Whorf hypothesis, which asserts that a language's structure and grammar construct the perception and consciousness of its speakers. In the novel, the placid people from the planet Pao rely on other planets for technological innovations and manufactured goods and they do not resist when an invading force occupies the land and levies heavy taxes. To expel the aggressors and make the planet more independent, three new languages are introduced. A scientific language induces its speakers to innovate more; a well-ordered language encourages its speakers to be industrious; and a warlike language induces competitiveness and aggression. The new languages change the culture and Pao ousts their overlords and develops a sophisticated modern economy.

            • Cover of Soul Catcher
              Soul Catcher

              Frank Herbert · standalone novel · 1972

              similar by+1 more

              Soul Catcher is a 1972 novel by Frank Herbert about a Native American who kidnaps a young white boy, and their journey together.

            • Cover of Islands in the Net
              Islands in the Net

              Bruce Sterling · standalone novel · 1988

              similar by+1 more

              Islands in the Net is a 1988 science fiction novel by American writer Bruce Sterling. It won the John W. Campbell Memorial Award for Best Science Fiction Novel in 1989, and was nominated for both the Hugo and Locus Awards that same year. It offers a view of an early 21st century world, apparently peaceful, with delocalised, networking corporations. The protagonist, swept up in events beyond her control, finds herself in places that are off the net, from a datahaven in Grenada, to a Singapore under terrorist attack, to the poorest and most disaster-struck parts of Africa.

            • Cover of Roma Eterna
              Roma Eterna

              series · 11 books · 1989

              similar by+1 more

              Robert Silverberg's Roma Eterna imagines an alternate history in which the Roman Empire never fell and endures into the present day, tracing its long, uneven survival through a sequence of pivotal moments across two millennia. Rather than one continuous plot, the book is a fix-up of ten linked stories, most first published in Asimov's Science Fiction over a fourteen-year span, each set in a different era of this unbroken Rome. It reads as the chronicle of a civilization rather than a story following a single cast of characters.

            • Cover of The Acacia Trilogy
              The Acacia Trilogy

              series · 3 books · 2007

              similar by+1 more

              Acacia: The War with the Mein begins with an empire's ruling Akaran children fleeing after assassins from an exiled people kill their father, scattering the heirs into a wider world whose comfortable myths — and the drug trade and slavery underwriting the empire's peace — turn out to be far uglier than they were raised to believe. David Anthony Durham's trilogy, continuing through The Other Lands and The Sacred Band, follows the siblings as each confronts a different piece of the empire's hidden machinery.

            • Cover of Soldier Son
              Soldier Son

              series · 3 books · 2005

              similar bycolonialism

              The Soldier Son trilogy is a fantasy novel series by Robin Hobb. Set in a new world unrelated to her previous trilogies, the Soldier Son trilogy follows the life of Nevare Burvelle, the second son of a newly elevated Lord of the Kingdom of Gernia.

            • WU
              Worldwar Universe

              series · 8 books · 1994

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            • Cover of A Different Flesh
              A Different Flesh

              series · 8 books · 1985

              similar by+1 more

              Harry Turtledove's A Different Flesh is a collection of linked alternate-history stories imagining a North America where Homo erectus survived alongside Ice Age megafauna into the modern era, taking the ecological and historical place occupied by Native American civilizations in our own timeline. The linked stories follow European contact, exploitation, and study of these surviving hominids across centuries of altered American history, from early colonization through more recent settings. It's anthropological alternate history more concerned with what contact does to the newly "discovered" species than with conventional adventure plotting.

            • Cover of Collected Supernatural and Weird Fiction of Robert W. Chambers
              Collected Supernatural and Weird Fiction of Robert W. Chambers

              series · 6 books · 1914

              completed

              similar bycolonialism

            • Cover of Boudica
              Boudica

              series · 4 books · 2003

              similar by+1 more

              Manda Scott's Boudica novels reimagine the Iceni queen's life and rebellion against Roman occupation, opening with Dreaming the Eagle's account of her childhood and rise among rival British tribes before following her through the war that made her legend across three further novels.

            • Cover of Godslayer
              Godslayer

              series · 2 books · 2023

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            • Cover of Ghost Dance
              Ghost Dance

              John Norman · standalone novel · 1970

              similar bycolonialism

              Ghost Dance is a 1970 historical fiction novel by John Norman. A Sioux man and his tradition comes into conflict with a white woman and her civilization as the Wounded Knee Massacre approaches. As with his Gor series, his main body of work, Norman displays both philosophical reaction and an affinity with incorporating historical events into the plotlines of fictional characters.