universe128 books1818
Start hereFrankenstein, or, The Modern Prometheus · Start here
similar by+2 more
Light a candle against the November dark and consider what a single spark, rightly applied to dead matter, might wake. In a laboratory at Ingolstadt a student named Victor Frankenstein learns the secret of animating lifeless flesh, assembles a being from the harvest of charnel houses and graves, and, at the moment it draws breath, flees the thing he has made. What he abandons does not stay abandoned. This is the world Mary Shelley opened in 1818 with Frankenstein; or, The Modern Prometheus: the story of a maker and his unmothered creation, and the long ruin each works upon the other. Shelley's novel arrives as a nest of confessions, an explorer's letters from the frozen north enclosing Victor's account, which in turn encloses the Creature's own, an articulate and wounded voice that has read Milton and wants only not to be alone. From that single volume two centuries of other hands have built outward, not as one continuity but as a gathering of independent returns to the same fire. Dean Koontz transplants the myth to modern New Orleans across a five-book cycle, Prodigal Son through The Dead Town, where the original Creature, now called Deucalion, hunts a Victor who never died. Donald F. Glut's New Adventures and Frank Schildiner's Quest of Frankenstein run the monster through pulp adventure; the mid-century French novels published as Benoit Becker chase him across a ruined Europe; Scott Sonneborn's Frankenstein Journals and the comic Frankenstein's Aunt turn the legend toward younger and lighter readers. What binds them is the question the book asks and never settles: which is the monster, the forsaken creature who kills, or the man whose ambition and cowardice made and abandoned him? Expect little comfort and few clean villains; the abiding note is grief, sublime and articulate, set against Alpine ice and candlelit hubris. Begin where it began, with Shelley's own novel; the later cycles reward you only once you have heard the Creature speak for himself.
universe65 books1898
Start hereThe War of the Worlds · Start here
similar byscience fiction+2 more
No one would have believed, in the closing years of the nineteenth century, that human affairs were being watched keenly and closely from the timeless worlds of space. And then the cylinders fell. H. G. Wells' War of the Worlds opens in the quiet of the Surrey commons, where a falling star proves to be the first Martian craft — and from the pit rise the towering tripods, the Heat-Ray, the choking Black Smoke and the creeping red weed, wielded by minds that regard mankind much as we regard the creatures we boil for supper. This is invasion rendered as natural disaster: cold, methodical, and vast beyond argument. Wells' 1898 novel is the seed; everything else grows from that Martian soil. The catalogue gathers direct sequels and continuations alongside a wide field of other hands. In War of the Worlds: Global Dispatches the invasion is retold across the whole planet through the eyes of Twain, Verne, Tolstoy, Lowell and Kipling; in the Manly Wade and Wade Wellman crossover, Sherlock Holmes, Watson and Professor Challenger take the field against the machines; and Scott Washburn's Great Martian War stretches the fighting into a decades-long alternate history of steam, artillery and grinding attrition. It is a loose shared world — no single decreed sequence, many voices answering one calamity. What sets this world apart is its refusal of heroics: the invaders fall not to generals but to the smallest things of Earth, humbling and indifferent. Begin, always, with Wells' original novel — it is short, and it is the ground every later book stands upon. From there follow your appetite: Global Dispatches for the panorama, the Holmes campaign for adventure, Washburn for the long war.
series23 books2008
similar by19th centurysteampunk
George Mann's steampunk series follows Sir Maurice Newbury, an occult investigator working for the crown in an alternate, more mechanized Victorian Britain, and his assistant Veronica Hobbes, as they take on cases blending supernatural threats with the era's mechanical marvels. The Affinity Bridge, the opening novel, entangles them with a crashed automaton airship and a spreading plague of the reanimated; later books deepen Newbury's struggle with addiction and Veronica's search for her institutionalized sister. It combines detective procedural with alternate-history steampunk London.
universe123 books1940
Start hereFoundation · Start here
similar byrobotsscience fiction+1 more
There is a science that reads the future of quadrillions the way an astronomer reads the orbits of stars. It is called psychohistory, and its equations foresee something the ruling Galactic Empire cannot admit: the throne is rotting, and thirty thousand years of barbarism are coming. One man, Hari Seldon, cannot stop the fall. He can only shorten it — by seeding a Foundation of scholars at the rim of the galaxy, a fragile institution built to carry knowledge across the dark and cut the interregnum to a single millennium. This is a universe told in the register of history itself: the long view, the calm of deep time, empires measured in centuries and men measured against them. The spine is Asimov's original trilogy — Foundation, Foundation and Empire, Second Foundation — followed decades later by the sequels Foundation's Edge and Foundation and Earth and the prequels Prelude to Foundation and Forward the Foundation. Late in life Asimov braided this in with his other future histories: the Robot novels of detective Elijah Baley and his humaniform partner R. Daneel Olivaw (The Caves of Steel, The Naked Sun, The Robots of Dawn, Robots and Empire) and the early Galactic Empire novels (Pebble in the Sky and its kin), until one continuous chronicle ran from the first thinking robots to the Second Empire. Other hands extend it — the Second Foundation Trilogy by Gregory Benford, Greg Bear, and David Brin, and shared-world spinoffs such as Robot City — so the corpus sprawls beyond a single author's tidy shelf. What distinguishes it is that the drama is intellectual: crises resolved by insight, nerve, and dialogue rather than fleets and blades, each turn hinging on the hidden logic of the Seldon Plan. Begin where readers have always begun — with Foundation, and the original trilogy in publication order. The rest opens outward from there.
series3 books1987
similar by19th centurysteampunk+1 more
K. W. Jeter's trilogy, whose 1987 original helped coin the term 'steampunk,' follows clockmaker George Dower as he's dragged into escalating Victorian conspiracies involving mechanical devices, secret societies, and inventions that shouldn't work but do. Infernal Devices, Fiendish Schemes, and Grim Expectations mix dark comedy with the gears-and-brass aesthetic the series helped establish before it had a name.
series3 books2015
similar byrobotsour worldscience fiction
Sylvain Neuvel's Themis Files opens when a girl falls into a hole in South Dakota and lands on the palm of a giant metal hand buried underground; the trilogy picks up years later as she leads the team trying to determine what the hand is part of and why it's there. Sleeping Giants and its sequels are told almost entirely through interview transcripts conducted by an unnamed, evasive interrogator, giving the series a documentary, oral-history feel unusual for first-contact SF. The mystery escalates from an archaeological puzzle into a question of who else is looking for the same answer.
series6 books1897
similar by19th centuryscience fiction
The Invisible Man is H. G. Wells's 1897 science fiction novel about Griffin, a scientist who works out how to make living tissue invisible and tests the process on himself, only to discover he has no way to reverse it. Unseen and increasingly cut off from other people, he turns to theft and violence while trying to survive and find a cure, making the book as much about his moral collapse as about the invisibility premise itself. It's a single self-contained novel; the two listed titles here are duplicate editions rather than separate books.
Arthur C. Clarkestandalone novel1956
similar byscience fiction+2 more
The City and the Stars is a science fiction novel by British writer Arthur C. Clarke, published in 1956. This novel is a complete rewrite of Clarke's earlier Against the Fall of Night, his first novel, which had been published in Startling Stories magazine in 1948 after being rejected by the editor of Astounding Science-Fiction, according to the author.
series6 books1968
similar byrobotsscience fiction+1 more
Philip K. Dick's 1968 novel Do Androids Dream of Electric Sheep? follows bounty hunter Rick Deckard as he tracks escaped androids through an irradiated, near-abandoned San Francisco, using the hunt to probe questions of empathy and what separates human from machine. The novel became the basis for Ridley Scott's 1982 film Blade Runner, and Marvel Comics later published an illustrated adaptation of that film. Together the two trace the story's path from prose original to screen and comic-page adaptation.
series4 books1993
similar byscience fiction+1 more
In Jeff Noon's alternate Manchester, an entire subculture has formed around Vurt: a hallucinogenic, colour-coded feather that plunges users into a shared alternate reality as vivid and dangerous as real life. Vurt follows Scribble and his gang, the Stash Riders, on a search for his sister, lost somewhere inside a Vurt trip gone catastrophically wrong. The sequel Pollen continues directly from its fallout, while Noon's other novels of the period, including Automated Alice and Nymphomation, circle the same fevered, drug-soaked version of the city.
universe51 books1888
Start hereThe Time Machine · Start here
similar byscience fiction+1 more
The Time Traveller throws his lever, and the laboratory dissolves into grey — day and night beating like a pulse, the sun streaking into a band of fire, the years falling away by the thousand. When the machine stops he stands in the year 802,701, among the gentle, idle Eloi who dance in the ruins of paradise, and the pale Morlocks who tend the machines below and climb, in the dark, to feed. This is the seed from which every tale of time travel grew: one Victorian evening's fireside account of a fourth dimension a man might walk down. At its centre stands H. G. Wells's slim 1895 romance, complete in itself. Around it has grown a long canopy of retellings — abridged and illustrated editions that carry the Eloi and Morlocks to younger readers, shaped by hands such as Betty Ren Wright and Chris Sasaki — and a strand of homage that treats Wells's invention as fact: Karl Alexander's Time After Time, in which Wells himself pursues Jack the Ripper through his own machine into a startled modern age, and David J. Lake's return to the Morlock world. It is honestly one work and its echoes, not a saga of equals. What lingers is the cool, reasoning voice of a gentleman-scientist watching wonder curdle into dread — for the machine does not stop at 802,701, but runs on to a still shore beneath a swollen, dying sun. Begin where all of it begins: with Wells's original. It is short, it is whole, and nothing after it is required.
series2 books1981
completed
similar byrobotsour worldscience fictionromance
The S.I.L.V.E.R. series is a fantasy novel series by Tanith Lee. The Silver Metal Lover, published in 1981, is the first in the series. Metallic Love, published in 2005, is the second novel.