anchored on:science fictionalien invasion
universe65 books1898
Start hereThe War of the Worlds · Start here
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No one would have believed, in the closing years of the nineteenth century, that human affairs were being watched keenly and closely from the timeless worlds of space. And then the cylinders fell. H. G. Wells' War of the Worlds opens in the quiet of the Surrey commons, where a falling star proves to be the first Martian craft — and from the pit rise the towering tripods, the Heat-Ray, the choking Black Smoke and the creeping red weed, wielded by minds that regard mankind much as we regard the creatures we boil for supper. This is invasion rendered as natural disaster: cold, methodical, and vast beyond argument. Wells' 1898 novel is the seed; everything else grows from that Martian soil. The catalogue gathers direct sequels and continuations alongside a wide field of other hands. In War of the Worlds: Global Dispatches the invasion is retold across the whole planet through the eyes of Twain, Verne, Tolstoy, Lowell and Kipling; in the Manly Wade and Wade Wellman crossover, Sherlock Holmes, Watson and Professor Challenger take the field against the machines; and Scott Washburn's Great Martian War stretches the fighting into a decades-long alternate history of steam, artillery and grinding attrition. It is a loose shared world — no single decreed sequence, many voices answering one calamity. What sets this world apart is its refusal of heroics: the invaders fall not to generals but to the smallest things of Earth, humbling and indifferent. Begin, always, with Wells' original novel — it is short, and it is the ground every later book stands upon. From there follow your appetite: Global Dispatches for the panorama, the Holmes campaign for adventure, Washburn for the long war.
Larry Niven & Jerry Pournellestandalone novel1985
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When aliens travel to Earth from Alpha Centauri, differences between alien and human psychology result in an unprovoked invasion, and the resulting resistance results in the aliens' use of a devastating weapon.
series53 books1917
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Barsoom is a fictional representation of the planet Mars created by American pulp fiction author Edgar Rice Burroughs. The first Barsoom tale was serialized as Under the Moons of Mars in pulp magazine The All-Story from February to July 1912 and published compiled as a novel as A Princess of Mars in 1917. It features John Carter, a late-19th-century American Confederate veteran who is mysteriously transported from Earth to the dying world of Mars where he meets and romances the beautiful Martian princess Dejah Thoris. Ten sequels followed over the next three decades, further extending his vision of Barsoom and adding other characters.
Garrett P. Servissstandalone novel1947
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Edison's Conquest of Mars is an 1898 science fiction novel by American astronomer and writer Garrett P. Serviss. It was written as a sequel to Fighters from Mars, an unauthorized and heavily altered version of H. G. Wells's 1897 story The War of the Worlds. It has a place in the history of science fiction for its early employment of themes and motifs that later became staples of the genre.
series15 books1987
completed
part of The Culture
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The Culture series is a science fiction series written by Scottish author Iain M. Banks and released from 1987 until 2012. The stories centre on The Culture, a utopian, post-scarcity space society of humanoid aliens and advanced superintelligent artificial intelligences living in artificial habitats spread across the Milky Way galaxy. The main themes of the series are the dilemmas that an idealistic, more-advanced civilization faces in dealing with smaller, less-advanced civilizations that do not share its ideals, and whose behaviour it sometimes finds barbaric. In some of the stories, action takes place mainly in non-Culture environments, and the leading characters are often on the fringes of the Culture, sometimes acting as agents of the Culture in its plans to civilize the galaxy. Each novel is a self-contained story with new characters, although reference is occasionally made to the events of previous novels.
universe123 books1940
Start hereFoundation · Start here
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There is a science that reads the future of quadrillions the way an astronomer reads the orbits of stars. It is called psychohistory, and its equations foresee something the ruling Galactic Empire cannot admit: the throne is rotting, and thirty thousand years of barbarism are coming. One man, Hari Seldon, cannot stop the fall. He can only shorten it — by seeding a Foundation of scholars at the rim of the galaxy, a fragile institution built to carry knowledge across the dark and cut the interregnum to a single millennium. This is a universe told in the register of history itself: the long view, the calm of deep time, empires measured in centuries and men measured against them. The spine is Asimov's original trilogy — Foundation, Foundation and Empire, Second Foundation — followed decades later by the sequels Foundation's Edge and Foundation and Earth and the prequels Prelude to Foundation and Forward the Foundation. Late in life Asimov braided this in with his other future histories: the Robot novels of detective Elijah Baley and his humaniform partner R. Daneel Olivaw (The Caves of Steel, The Naked Sun, The Robots of Dawn, Robots and Empire) and the early Galactic Empire novels (Pebble in the Sky and its kin), until one continuous chronicle ran from the first thinking robots to the Second Empire. Other hands extend it — the Second Foundation Trilogy by Gregory Benford, Greg Bear, and David Brin, and shared-world spinoffs such as Robot City — so the corpus sprawls beyond a single author's tidy shelf. What distinguishes it is that the drama is intellectual: crises resolved by insight, nerve, and dialogue rather than fleets and blades, each turn hinging on the hidden logic of the Seldon Plan. Begin where readers have always begun — with Foundation, and the original trilogy in publication order. The rest opens outward from there.
series10 books1981
completed
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Galactic Milieu is a series of science fiction novels by Julian May. It is linked to her previously published series, the Saga of Pliocene Exile; and through the fantastical device of time-travel, acts as both a prequel and a sequel to this earlier series. The "Galactic Milieu" of the title is an interplanetary federation, and Earth's membership of it is a central plot concern.
series3 books2010
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Out of the Dark begins when an overwhelming alien armada arrives to subjugate Earth, only for the invasion to run into unexpected resistance from an unlikely source within humanity itself. David Weber's trilogy, joined for its later volumes by Chris Kennedy, follows the human resistance and its strange allies as the war against the invaders escalates.
series4 books2013
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Rick Yancey's The 5th Wave opens after a series of escalating alien attacks has already devastated Earth's population and infrastructure, following sixteen-year-old survivor Cassie Sullivan as she searches for her younger brother while trying to work out who, among the remaining humans, can still be trusted. The trilogy is young-adult science fiction that treats its alien-invasion premise as a survival and paranoia story more than a war story.
David Weberstandalone novel1999
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The Apocalypse Troll is a novel by American writer David Weber, first published by Baen Books in January 1999. It is a story about time travel and alien invasion.
series10 books1972
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Joe Haldeman's The Forever War (1974) follows a soldier conscripted into a centuries-long interstellar war against the alien Taurans, using relativistic space travel so that months spent in transit correspond to years or decades passing back on Earth. Haldeman later returned to the same conflict in Forever Peace (1997), a thematically connected but separate story, and Forever Free (1999), a direct sequel set years after the original war's end. The first novel won the Hugo, Nebula, and Locus awards and is considered a foundational work of military science fiction.
universe2034 books1964
Start hereTimewyrm: Genesys · Start here
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Somewhere a blue police box that has no business existing folds a whole world in behind one door, and an old traveller wearing a brand-new face steps out onto a beach, a battlefield, the last warm afternoon of a dying sun. The Whoniverse is all of time and space and the wanderer who refuses to sit still inside it — the Doctor, who dies only to change shape and carry on, gathering friends across every century and losing rather more of them than the adventures like to admit. It runs on curiosity, mercy, and the unshakeable conviction that no one small should be left to the monsters. On the page it is vast and gloriously many-handed. It begins with the Target novelizations, pocket retellings of the television serials — Terrance Dicks alone wrote scores of them — that taught a generation to hear the show in prose. When the screen went dark the books carried the story on: the Virgin New Adventures walked the Seventh Doctor into darker, stranger country and gave the world the archaeologist Bernice Summerfield; BBC Books answered with ranges for the Eighth Doctor and every past incarnation, before the 2005 revival brought the New Series Adventures. Around the edges cluster the spin-offs — Bernice's own long saga, Paul Magrs's gin-soaked interdimensional diva Iris Wildthyme, the pharaoh-companion Erimem, the grown-up Cardiff shadows of Torchwood — steered across decades by hands like Justin Richards and Stephen Cole. Nothing here demands to be read in order, and that is rather the point: it is a world you drop into, not a staircase you climb. The register shifts with every author and every Doctor — high adventure, cosmic dread, farce, elegy, sometimes inside one book — bound together only by that restless kindness. Begin with the Doctor you already half-remember: a Target novelization of a favourite serial, or a New Series Adventure for whichever face first caught you. Then just leave the door open.
John Wyndhamstandalone novel1953
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" Behind a spectacular meteor shower actually hides the beginning of an invasion by a mysterious and powerful alien race. Earth's life is disrupted by the attacks of extraterrestrials whose war machines, emerging from the depths of the oceans, seem indestructible. The coalitioned forces of the whole world are worthless, powerless in the face of the indecipherable and deadly plans of a superior intelligence, capable of bringing the entire planet to the brink of catastrophe" Goodreads May 20, 2022
series17 books1955
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Godzilla is a series of novels written by author Marc Cerasini, based on the film series of the same name produced by Toho. While all set within the same continuity, each novel has its own plot and storyline, with Toho's kaiju featured as the stars.
series4 books1974
part of CoDominium
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Larry Niven and Jerry Pournelle's The Mote in God's Eye (1974) depicts humanity's first contact with an alien species, the Moties, set within the far-future interstellar setting of Pournelle's codominium future history. The Gripping Hand continues that first-contact crisis years later, and Outies, written by J. R. Pournelle, carries the story forward into a new generation. Together the three books trace an escalating encounter between human and Motie civilizations within the codominium universe.
universe13 books1980
Start hereUplift · Start here
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No species, the Galactics insist, ever climbs to sapience alone. For a billion years the elder races have "uplifted" their chosen clients — reshaping some promising animal, gene by patient gene, into a thinking being, then binding it through long ages of indenture. Patron lifts client; client one day becomes patron; and every lineage traces back through the vast Galactic Library to the vanished Progenitors who began it all. Then a ragged band of primates arrives at the stars with no patron to claim them — wolflings, self-made, an affront to a hundred thousand years of law — and worse, these humans have already started uplifting neighbors of their own: the neo-dolphins and neo-chimpanzees of Earthclan. David Brin builds this galaxy across two trilogies. The first — Sundiver, the Hugo- and Nebula-winning Startide Rising, and the Hugo-winning The Uplift War — sends an expedition into the Sun, then follows the dolphin-crewed survey ship Streaker as it flees a discovery that sets fanatical star-clans at war, and a chimp-led resistance on an invaded colony world. The second sequence, Uplift Storm — Brightness Reef, Infinity's Shore, Heaven's Reach — descends to Jijo, a forbidden world where six fallen races hide as illegal settlers, and draws every loose thread toward a reckoning. Short fiction fills the margins. This is space opera with an ecologist's conscience: teeming with invented biologies, wry cross-species banter, and real unease about what we owe the minds we make. Begin with Startide Rising — the saga's beating heart, and readable on its own — or take Sundiver first and read straight through in publication order.
series16 books2005
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The Old Man's War series is a series of science fiction novels by John Scalzi. The first book in the series, Old Man's War, was first published in 2005 by Tor Books, and was nominated for the Hugo Award for Best Novel in 2006. In 2026 it was a finalist for the Hugo Award for Best Series.
series4 books2006
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S. M. Stirling's Lords of Creation series imagines an alternate Cold War-era Solar System in which American and Soviet space probes discover that both Venus and Mars harbor intelligent civilizations and Earth-like life, including dinosaurs and human-like populations whose presence hints at ancient intervention by some older power. The Sky People follows explorers into Venus's jungles, while In the Courts of the Crimson Kings shifts the action to a dying, desert Mars; despite being conceived as a trilogy, no third novel has been published. Openly indebted to the planetary romances of Edgar Rice Burroughs, the series pairs pulp-adventure sensibility with harder science-fiction reasoning about how such worlds could exist.