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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like Shadow Climber

anchored on:fantasysecondary worldsword and sorcerywizardsquestsprison escape+2 more

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

                  similar bysecondary worldfantasyadventurousquests+1 more

                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • Cover of Knight's Wyrd
                  Knight's Wyrd

                  Debra Doyle & James D. Macdonald · standalone novel · 1992

                  similar bysecondary worldfantasyadventuroustensesword and sorceryquests+1 more

                  Will Odosson sets out on a series of dangerous adventures after a wizard predicts that he will meet death before a year has passed.

                • Cover of Shadow
                  Shadow

                  Dave Duncan · standalone novel · 1987

                  similar bysecondary worldfantasyadventuroussword and sorcerypolitical intrigue+3 more

                  Sald Harl would like nothing more than to soar on the wings of his noble eagle, but his youthful rides in the sky are cut short by an appointment to guard the prince. Sald watches his dreams of flight fade with his name and independence as he takes over his bodyguard duties. During a perilous journey to the edges of the kingdom a dark secret comes to life. Now the great Prince Shadow is accused of treason and Sald must orchestrate a desperate plan of escape or he will lose the one thing he has been ordered to defend. The only option of freedom in sight is a dangerous flight that no one has ever survived. Once again Sald may feel the freedom of souring though the air unchained from the shackles of servitude.

                • Cover of Sun Wolf and Starhawk
                  Sun Wolf and Starhawk

                  series · 7 books · 1984

                  similar bysecondary worldfantasyadventuroussword and sorcerywizards+2 more

                  Barbara Hambly's series begins with the city of Mandrigyn conquered and its men enslaved in the mines of the wizard-king Altiokis, forcing surviving noblewoman Sheera Galernas to kidnap the mercenary captain Sun Wolf and press him into training the city's women as fighters. Sun Wolf's partnership with his lieutenant Starhawk carries across The Ladies of Mandrigyn, The Witches of Wenshar, and further volumes as both are drawn deeper into magic neither originally wanted.

                • Cover of The Traitor Spy Trilogy
                  The Traitor Spy Trilogy

                  series · 3 books · 2010

                  part of Kyralia series

                  similar bysecondary worldfantasyadventurouswizardspolitical intrigue+2 more

                  Trudi Canavan is an Australian writer of fantasy novels, best known for her best-selling fantasy trilogies The Black Magician and Age of the Five. While establishing her writing career she worked as a graphic designer. She completed her third trilogy, The Traitor Spy trilogy, in August 2012 with The Traitor Queen. Subsequently, Canavan has written a series called Millennium's Rule, with a completely new setting consisting of multiple worlds which characters can cross between. Though originally planned as a trilogy, a fourth and final book in the Millennium's Rule series was published.

                • Cover of The Crescent Moon Kingdoms
                  The Crescent Moon Kingdoms

                  series · 1 book · 2012

                  similar bysecondary worldadventuroussword and sorceryfantasywizardsquests+2 more

                  Saladin Ahmed's The Crescent Moon Kingdoms opens with Throne of the Crescent Moon, set in a realm of djenn and ghuls where a power struggle between an iron-fisted Khalif and a mysterious master thief called the Falcon Prince erupts alongside a series of brutal, supernatural murders. A handful of reluctant heroes must uncover the truth behind the killings before the kingdom tears itself apart.

                • Cover of Tiger and Del
                  Tiger and Del

                  series · 10 books · 1985

                  similar bysecondary worldfantasyadventuroussword and sorcery+2 more

                  Jennifer Roberson's fantasy series pairs Tiger, a desert-born sword-dancer from the south, with Del, a Northern swordswoman trained in her own tradition of blade-magic, as reluctant partners across a hostile borderland. Beginning with Sword-Dancer and continuing across six numbered novels, the series follows their partnership, and eventual romance, through decades of adventures and shifting political stakes.

                • Cover of The Princess and the Goblin
                  The Princess and the Goblin

                  series · 2 books · 1871

                  completed

                  similar bysecondary worldfantasyadventurousquests

                • Cover of The White Mists of Power
                  The White Mists of Power

                  Kristine Kathryn Rusch · standalone novel · 1991

                  similar bysecondary worldfantasyadventuroustensequestspolitical intrigue

                  Synopsis -An innocent excited boy, a prince and heir, takes his first journey to the city. It is like nothing he imagined. Hands pound against his carriage: voices call for a coin, Sir just one, spare me some money, sir, I haven’t eaten in days. The streets teem with merchants in velvet robes, magicians, half mad preachers, with life and colour and noise. He doesn’t want to miss any of it. But it is the last journey of his life as a prince. Soon he will be abandoned and declared dead. Soon with survival and what will be the driving force of his life: the quest to recover his stolen inheritance, his usurped throne. His home. A story of cities and palaces, of power hungry lords and ladies scheming inside a magically threatened land...Intricate, compelling.

                • Cover of The Princess Bride
                  The Princess Bride

                  William Goldman · standalone novel · 1973

                  similar bysecondary worldfantasyadventurousquestsrevenge

                  The Princess Bride: S. Morgenstern's Classic Tale of True Love and High Adventure, The "Good Parts" Version is a 1973 fantasy romance novel by American writer William Goldman. The book combines elements of comedy, adventure, fantasy, drama, romance, and fairy tale. It is metafictionally presented as an abridgment of a longer work by the fictional S. Morgenstern, and Goldman's commentary asides are constant throughout. It was originally published in the United States by Harcourt Brace, then later by Random House, while in the United Kingdom it was later published by Bloomsbury.

                • Cover of Conan Universe
                  Conan Universe

                  series · 205 books · 1932

                  part of Hyborian Age

                  similar bysecondary worldadventuroussword and sorceryfantasy+1 more

                  The Conan books are sword and sorcery fantasies featuring the character of Conan the Cimmerian originally created by Robert E. Howard. Written by numerous authors and issued by numerous publishers, they include both novels and short stories, the latter assembled in various combinations over the years by the several publishers. The character has proven durably popular, resulting in Conan stories being produced after Howard's death by such later writers as Poul Anderson, Leonard Carpenter, Lin Carter, L. Sprague de Camp, Roland J. Green, John C. Hocking, Robert Jordan, Sean A. Moore, Björn Nyberg, Andrew J. Offutt, Steve Perry, John Maddox Roberts, Harry Turtledove, and Karl Edward Wagner. Some of these writers finished incomplete Conan manuscripts by Howard, or rewrote Howard stories which originally featured different characters. Most post-Howard Conan stories, however, are completely original works. In total, more than fifty novels and dozens of short stories featuring the Conan character have been written by authors other than Howard. This article describes and discusses notable book editions of the Conan stories.

                • Cover of Sparhawk
                  Sparhawk

                  universe · 6 books · 1989

                  Start hereElenium · Start here

                  similar bysecondary worldadventurousfantasyquests+2 more

                  Sir Sparhawk is not a young man, and he has little patience for the pageantry his order pretends to. A Pandion Knight of the militant Elene Church, he rides home from a long exile to find his kingdom rotten with intrigue and his young queen, Ehlana, poisoned — kept alive only inside a shell of living crystal. To wake her he must find Bhelliom, a jewel with the power to remake the world or unmake it. So begins a long ride across the continent of Eosia. This is warm, character-first epic fantasy from David Eddings, told across two trilogies. The Elenium — The Diamond Throne, The Ruby Knight, The Sapphire Rose — pits Sparhawk against a corrupt church and a hungry elder god. The Tamuli — Domes of Fire, The Shining Ones, The Hidden City — carries him east into the vast Tamul Empire, where older enemies stir. Around him gathers a quarrelsome company: the Styric sorceress Sephrenia, the thief-boy Talen, the plain-spoken squire Kurik, and a small, imperious goddess who plays a set of pipes and always, somehow, gets her way. The pleasure here is the talk — grizzled knights trading dry insults between miracles and murders, a hero who solves as many problems with patience as with a sword. It never reaches for grimness or grand obscurity; it wants your good company for a long journey. Newcomers begin with The Diamond Throne and read the six in order: the Elenium stands whole on its own before the Tamuli widens the map.

                • Cover of Flightless Falcon
                  Flightless Falcon

                  Mickey Zucker Reichert · standalone novel · 2000

                  similar bysecondary worldfantasyadventuroussword and sorceryquests+1 more

                  From the flaps of the DAW first edition: "Set in a land of scattered rival cities, this is the story of a poignant and dangerous quest, the tale of a man manipulated into a mission against his will in the hopes of regaining the only thing of importance in his life - his family. Tamison had been a miner until the cave-in which killed his brother and father, and left him trapped behind a wall of rubble, cut off from light and life for what seemed like eternity. When he was finally rescued, Tamison was so traumatized by the experience that he was left with a paralyzing fear of venturing underground. With the passing years and the growth of his new family, Tamison was willing to turn his hand to any trade that would feed his wife and children. But in a realm where guilds ruled - and where his own guild could no longer support him - Tamison became more and more desperate as even jobs for unskilled guildless laborers became impossible to obtain. Eventually Tamison was forced to what once would have been unimaginable to him. But he had no other choice. Either he must steal food of see his family starve. Caught in the act, Tamison is sentenced to a chain gang. And when he was finally released, he discovered that his family had vanished. Searching for them, Tamison became so despondent that when a guard named Dallan claimed to know of their fate he was only too ready to listen. And when Dallan said that he, too, had had someone taken by the same villains, Tamison agreed to join forces with him. But before setting out on their quest, Tamison visited a fortune-teller, hoping to be told that his mission would prove successful. Instead of learning about his own destiny, Tamison found himself acquiring a new alley as Rifkah, the fortune-teller, suddenly discovered a pressing need to leave the city. Together the three set out for the rival trading town where Dallan was certain the people they sought were being held. Tamison's initial search had led him into an encounter with a thief, who now seemed determined to attach himself to their group, and the unlikely foursome soon concocted a daring plan to break into the seemingly impenetrable city. Yet even if they succeeded in this venture it might well prove their doom, for gaining entrance to the town did not mean that they would find what they sought - or survive to win free of the place again!"

                • Cover of Pusadian
                  Pusadian

                  series · 9 books · 1951

                  completed

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                  The Pusadian series is a sequence of fantasy stories by L. Sprague de Camp, begun in the early 1950s and written under the influence of Robert E. Howard's Conan stories. The series, also known as the Poseidonis series, prefigured the numerous sword & sorcery settings of the 1960s and 1970s.

                • Cover of Dilvish
                  Dilvish

                  series · 13 books · 1965

                  completed

                  similar bysecondary worldfantasyadventuroussword and sorceryquests+1 more

                  Centuries ago, the half-elf warrior Dilvish tried to stop a dark sorcerer named Jelerak from completing a terrible ritual, and paid for it by being turned to stone and having his soul cast into Hell. Roger Zelazny's Dilvish the Damned stories bring him back when the people he once protected need him again, reuniting him with his strange metal steed Black for a string of sword-and-sorcery adventures built around his long-delayed vengeance against Jelerak. The tales run as short, episodic quests rather than one continuous plot.

                • Cover of Elenium
                  Elenium

                  series · 3 books · 1989

                  completed

                  part of Sparhawk

                  similar bysecondary worldadventurousfantasyquests+1 more

                  The Elenium is a series of fantasy novels by American writer David Eddings. The series consists of three volumes: The Diamond Throne, The Ruby Knight, and The Sapphire Rose. The series is followed by The Tamuli. The Elenium is Eddings' third fantasy series.

                • Cover of A Song of Ice and Fire
                  A Song of Ice and Fire

                  series · 14 books · 1996

                  part of World of Ice and Fire

                  similar bysecondary worldfantasypolitical intrigue+2 more

                  A Song of Ice and Fire is a series of high fantasy novels by the American author George R. R. Martin. Martin began writing the first volume, A Game of Thrones, in 1991, and published it in 1996. Martin, who originally envisioned the series as a trilogy, has released five out of seven planned volumes. The most recent entry in the series, A Dance with Dragons, was published in 2011. Since then, Martin has been working on the sixth novel, titled The Winds of Winter. A seventh novel, A Dream of Spring, is planned to follow.

                • Cover of Redwall
                  Redwall

                  series · 22 books · 1986

                  completed

                  part of Redwall Universe

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                  Redwall is Brian Jacques's long-running series of fantasy novels for young readers, set within the redwall-universe of Redwall Abbey and its community of anthropomorphic animals. It opened in 1986 with the mouse Matthias searching for the lost sword of the legendary Martin the Warrior to defend the abbey from the invading rat Cluny the Scourge, and grew across 22 largely stand-alone novels published through 2011, each set in a different generation of the abbey's history and following its mice, otters, badgers, and vermin adversaries.

                • Cover of The Fire's Stone
                  The Fire's Stone

                  Tanya Huff · standalone novel · 1990

                  similar bysecondary worldfantasyadventurouswizardsquests+2 more

                  From the back cover of the DAW Books first edition: Thief, Swordsman, and Wizardess... Aaron - Clan Heir, he had fled his people when his beloved was slain by his own father's command, abandoning his training, duty, and beliefs to become a thief. A master of his trade, he now dared the odds in Ischia, city of the volcano, where the price of being caught was death. Darvish - prince of Ischia, third son of a king who had no intention of giving up his throne. The prince was a drunkard, a lover, and a wastrel, yet was gifted with sword skills and with the ability to charm all around him. But not even his charm could free him from the political marriage now being planned. Chandra - born a princess, she had chosen to become a Wizard of the Nine, that rarest of beings, able to master all the forms that sorcery could take. Now, promised as Darvish's bride, she undertook a desperate journey to Ischia to convince him they must not wed. Aaron, Darvish, Chandra - three strangers whose fates were about to become intertwined. For someone had stolen The Stone, the magical talisman which stood between Ischia and the volcano's wrath. And unless the three could learn to work together on a quest to the The Stone, Ischia would drown in a sea of lava...

                • Cover of The Swordbearer
                  The Swordbearer

                  Glen Cook · standalone novel · 1982

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                  The Swordbearer is a 1982 novel written by Glen Cook.

                • Cover of The Tainted Blood Duology
                  The Tainted Blood Duology

                  series · 2 books · 2023

                  similar bysecondary worldfantasyadventuroustensepolitical intrigue+1 more

                • Cover of The Immortals
                  The Immortals

                  series · 6 books · 1992

                  part of Tortall

                  similar bysecondary worldfantasyadventurouswizards+1 more

                  Tamora Pierce's Immortals quartet follows Daine, a young woman whose 'wild magic' lets her communicate with and shapeshift among animals, as she's drawn into the kingdom of Tortall's defense against immortal creatures -- griffins, dragons and darker things -- released back into the world after centuries sealed away. Beginning with Wild Magic, the four books pair Daine's personal coming-of-age with an escalating magical threat, and connect to Pierce's earlier Song of the Lioness quartet through several shared characters.

                • Cover of The Lord of the Rings
                  The Lord of the Rings

                  series · 13 books · 1954

                  part of Tolkien's legendarium

                  similar bysecondary world+4 more

                  The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.

                • Cover of The Silvered
                  The Silvered

                  Tanya Huff · standalone novel · 2012

                  similar bysecondary worldfantasyadventuroustensequests+1 more

                  The Empire has declared war on the small, were-ruled kingdom of Aydori, capturing five women of the Mage-pack, including the wife of the were pack-leader. With the pack off defending the border, it falls to Mirian Maylin and Tomas Hagen--she a low-level mage, he younger brother to the pack-leader--to save them.