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Built on ISFDB, Wikipedia, Wikidata and Open Library. Curated reading orders carry their reasoning on the page; the rest follow publication order. Data sources & licenses

© Loreful · data: ISFDB · CC BY

More like The Immortality Scroll

anchored on:secondary world

but

Mood

The mood the book leaves you in.

  • The reading experience is propelled by journeys, exploration, and physical risk; excitement and forward momentum dominate over dread or introspection.
  • Joy and loss are deliberately mixed; the resolution grants characters something real while taking something else away, leaving warmth and sorrow together.
  • The book demands work from the reader — dense prose, difficult structure, unfamiliar ideas, or morally uncomfortable material — as part of its intended effect.
  • Grim events, cruelty, or despair dominate the atmosphere, and the book does not soften them with comfort or comic relief.
  • The atmosphere is quietly unsettling — wrongness, unease, and the uncanny pervade the book without necessarily escalating into overt horror.
  • The book is built to move the reader; character feeling is foregrounded and major scenes aim at a strong emotional response.
  • Humor is a primary aim and the prose plays for laughs — comic situations, wit, or dialogue produce sustained comedy, not occasional levity.
  • The book insists that things can improve; effort and decency are shown to matter, and the arc bends toward better outcomes even through hardship.
  • The book teaches as it goes — real facts, history, science, or craft are conveyed in enough depth that learning is part of the reading experience.
  • The book is designed to uplift and motivate, presenting perseverance or achievement in a way that invites the reader to aspire or act.
  • The overall register is cheerful and easygoing; stakes are kept gentle and the book avoids dwelling on pain or dread.
  • Withheld information drives the experience; the book sustains enigmas and secrets the reader wants resolved, whatever its genre.
  • The book is contemplative and inward-looking, giving more weight to thought, memory, and meaning than to external events.
  • The book works as comfort reading — low tension, a soothing pace, and an atmosphere the reader can unwind in.
  • Grief, loss, or melancholy set the dominant register, and the book lets sorrow stand rather than resolving it into comfort.
  • Sustained suspense is the point; the book keeps the reader braced for what happens next through danger, pressure, or impending revelation.
  • Playful invention and charm define the register — fanciful conceits, light absurdity, and a narration that delights in its own oddity.

About

What the story runs on.

  • Stories in which extraterrestrial beings are central — as characters, cultures, or the object of the plot.
  • Stories about venturing into space to explore — survey missions, astronauts, and the frontier of the unknown beyond Earth.
  • Stories structured as a quest — a journey undertaken to find, deliver, or destroy something of great import.
  • Stories in which staying alive against nature, catastrophe, or scarcity is the central problem.
  • Stories of lovers kept apart by law, family, faith, or station, where the obstacle to love is the plot.
  • Stories in which a friendship — its making, testing, or loss — is the emotional center.
  • Stories of growing up — a young protagonist crossing from childhood into adult knowledge and responsibility.
  • Stories about who a character truly is — self-discovery, doubled lives, and the search for a self.
  • Stories in which a buried family truth — hidden parentage, crimes, or shames — surfaces and reorders the present.
  • Stories driven by maneuvering for power — factions, conspiracies, and statecraft conducted in shadow.
  • Stories in which war itself is the subject — combat, occupation, and what warfare does to soldiers and civilians.
  • Stories organized around investigating a killing — the case, the clues, and the pursuit of the killer, in any genre's clothing.

Shelf

Where it sits in the library.

    • Fiction built on magic or other supernatural elements that have no scientific explanation.
    • Secondary-world fantasy at large scale, where the fate of nations or the world turns on the protagonists' struggle.
    • Fantasy set in a recognizably modern city or contemporary world where the supernatural intrudes on everyday life.
    • Fantasy that blends in horror's atmosphere and imagery, keeping a fantastical frame around grim or frightening material.
    • Action-driven fantasy following warriors or rogues with personal stakes against sorcerous threats, rather than world-spanning conflicts.
    • Fantasy set in a real historical period or a close analogue of one, with magic woven into the era.
    • Fantasy in which protagonists cross from the ordinary world into another world through a portal or similar passage.
    • Fiction that retells or reworks a traditional fairy tale in a new form or setting.
    • Fantasy drawing directly on myths, legends, and folklore, retelling them or building on their figures and logic.
    • Fantasy of ghosts, vampires, shapeshifters, psychics, and similar phenomena, usually set in an otherwise ordinary world.
    • Fiction mixing science-fictional trappings with overtly magical or impossible elements in one setting.
    • Low-stakes fantasy emphasizing comfort, community, and everyday pleasures over conflict and peril.
    • Speculative fiction of pervasive moral ambiguity, violence, and cynicism that rejects heroic conventions — fantasy and SF alike.
      • Fiction that extrapolates from science and technology — future societies, space travel, or speculative inventions — within at least nominally natural laws.
      • Science fiction of interstellar scope — starships, galactic polities, and adventure across star systems.
      • Science fiction committed to scientific rigor, where technical plausibility constrains the story.
      • Science fiction centered on armed forces and warfare, told largely from a military point of view.
      • Science fiction of networked, corporate-dominated near futures, pairing high technology with social decay.
      • Science fiction styled on nineteenth-century steam-powered technology, often in a Victorian or pseudo-Victorian setting.
      • Fiction depicting an oppressive or catastrophic society, presented as a warning.
      • Fiction set after civilization's collapse, following survivors in the ruins of the old world.
      • Fiction in which characters move between past and future, and the mechanics or consequences of that travel drive the plot.
      • Fiction exploring a world where a historical event went differently and history diverged from ours.
      • Science fiction about humanity's first encounter and communication with an alien intelligence.
      • Science fiction in which extraterrestrial forces attack or occupy Earth and humanity resists.
      • Fiction whose primary aim is to frighten or unsettle the reader through dread, menace, or the monstrous.
      • Horror of vast, indifferent, incomprehensible entities before which humanity is insignificant, in the Lovecraft tradition.
      • Horror of decaying houses, buried family secrets, and oppressive atmosphere in the Gothic literary tradition.
      • Horror centered on hauntings and the returning dead.
      • Horror located in the mind — paranoia, obsession, and unreliable perception rather than external monsters.
      • Horror built around the reanimated dead and survival amid their outbreaks.
      • Horror defined by explicit, transgressive gore that refuses to cut away from violence.
      • Speculative fiction of the strange and uncanny that resists both natural explanation and standard genre categories.
      • Fiction organized around solving a crime or puzzle, typically following an investigator toward the identification of a culprit.
      • A puzzle-first mystery that lays out clues so the culprit's identity can be deduced before the reveal.
      • Crime fiction of moral ambiguity, fatalism, and hard-edged style, set among the corrupt and the doomed.
      • A mystery following the realistic routines of police work — forensics, interviews, and case-building.
      • A gentle mystery with an amateur sleuth, a small community, and violence kept off the page.
      • A mystery set in a past era, where the investigation works within that period's methods and society.
      • Fast-paced fiction driven by imminent danger, pursuit, or high-stakes conspiracy, built to sustain tension.
      • A thriller of espionage — agents, tradecraft, and intelligence services in conflict.
      • A thriller centered on lawyers and the courtroom, where litigation carries the suspense.
      • A thriller driven by detailed contemporary or near-future technology, often military or scientific.
      • A thriller whose tension comes from mental states and manipulation between characters rather than external action.
      • Fiction whose central plot is a romantic relationship and its development toward an emotionally satisfying resolution.
      • Romance in which one or both partners are supernatural beings, blending fantasy elements into the love story.
      • A fantasy-romance hybrid in which the romantic arc and the fantasy plot carry equal weight.
      • Romance set in a past era, with courtship shaped by the period's society and manners.
      • Romance set in the present day, without supernatural or historical elements.
      • Fiction set in a real past period, where the historical setting materially shapes characters and events.
        • General and literary fiction emphasizing prose style, character interiority, or formal ambition over genre plot conventions.
        • Fiction in a realistic world where magical events occur and are treated as ordinary, in the tradition of Latin American literature.
        • Fiction that ridicules people, institutions, or society in order to criticize them.
        • Fiction of dreamlike, irrational imagery and logic that breaks from realistic representation.
        • Fiction that plays with narrative convention through metafiction, fragmentation, and self-reference.
        • Fiction propelled by journeys, exploration, and physical peril, where action and survival carry the plot.
        • Adventure fiction of ships and seafaring — naval engagements, voyages, and life at sea.
        • Fiction of the American frontier West — gunmen, ranchers, and lawmen, typically in the late nineteenth century.
        • Fiction centered on soldiers, campaigns, and the experience of warfare, historical or imagined.
          • Fiction written primarily to amuse, using comedic situations, wit, or parody as its organizing principle.
            • Multi-generational fiction following a family or dynasty across decades, with inheritance and kinship as the through-line.
              • Fiction whose world runs on explicit game mechanics — levels, stats, and skills that characters can see and exploit.
                • Fiction about costumed or superpowered heroes and their conflicts with comparable villains.

                Practical

                How long a commitment, whether it stands alone, and whether it has finished.

                Tap a chip to ask for it · tap again to rule it out · once more to clear. Numbers show what would be left.

                • Cover of Narnia
                  Narnia

                  series · 26 books · 1950

                  part of Narnia Universe

                  similar bysecondary worldfantasycoming of ageadventurous+4 more

                  The Chronicles of Narnia is a series of seven portal fantasy novels by British author C. S. Lewis. Illustrated by Pauline Baynes and originally published between 1950 and 1956, the series is set in the fictional realm of Narnia, a fantasy world of magic, mythical beasts, and talking animals. It narrates the adventures of various children who play central roles in the unfolding history of the Narnian world. Except in The Horse and His Boy, the protagonists are all children from the real world who are magically transported to Narnia, where they are sometimes called upon by the lion Aslan to protect Narnia from evil. The books span the entire history of Narnia, from its creation in The Magician's Nephew to its eventual destruction in The Last Battle.

                • Cover of The Hobbit
                  The Hobbit

                  series · 2 books · 1937

                  completed

                  part of Tolkien's legendarium

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                  The Hobbit (1937) is J. R. R. Tolkien's children's fantasy novel following the reluctant burglar Bilbo Baggins, who joins a company of dwarves and the wizard Gandalf on a journey to reclaim treasure guarded by the dragon Smaug. It stands as a complete adventure on its own, but shares its setting with the rest of Tolkien's legendarium and leads into the events of The Lord of the Rings.

                • Cover of Earthsea Cycle
                  Earthsea Cycle

                  series · 18 books · 1964

                  completed

                  part of Earthsea

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                  The Earthsea Cycle, also known as Earthsea, is a series of high fantasy books written by American author Ursula K. Le Guin. Beginning with A Wizard of Earthsea (1968), The Tombs of Atuan (1970), and The Farthest Shore (1972), the series was continued in Tehanu (1990), and Tales from Earthsea and The Other Wind. In 2018, all the novels and short stories were published in a single volume, The Books of Earthsea: The Complete Illustrated Edition, with artwork by Charles Vess.

                • Cover of Redwall
                  Redwall

                  series · 22 books · 1986

                  completed

                  part of Redwall Universe

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                  Redwall is Brian Jacques's long-running series of fantasy novels for young readers, set within the redwall-universe of Redwall Abbey and its community of anthropomorphic animals. It opened in 1986 with the mouse Matthias searching for the lost sword of the legendary Martin the Warrior to defend the abbey from the invading rat Cluny the Scourge, and grew across 22 largely stand-alone novels published through 2011, each set in a different generation of the abbey's history and following its mice, otters, badgers, and vermin adversaries.

                • Cover of The Lord of the Rings
                  The Lord of the Rings

                  series · 13 books · 1954

                  part of Tolkien's legendarium

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                  The Lord of the Rings is an epic high fantasy novel written by the English author and scholar J. R. R. Tolkien. Set in Middle-earth, the story began as a sequel to Tolkien's 1937 children's book The Hobbit but eventually developed into a much larger work. Written in stages between 1937 and 1949, The Lord of the Rings is one of the best-selling books ever written, with over 150 million copies sold.

                • Cover of Raybearer
                  Raybearer

                  series · 3 books · 2020

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                  Jordan Ifueko's Raybearer follows Tarisai, raised in isolation and sent to compete for a spot among the emperor's council of magically bonded companions, only to discover she's been trained since childhood to kill the prince she's meant to protect. Redemptor continues her reign as empress, dealing with the political and spiritual fallout of the choices she made, while The Maid and the Crocodile follows a different protagonist in the same world. The trilogy draws on West African-inspired myth and court politics rather than the medieval-European default of much YA fantasy.

                • Cover of The Princess and the Goblin
                  The Princess and the Goblin

                  series · 2 books · 1871

                  completed

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                • Cover of Pellinor
                  Pellinor

                  series · 5 books · 2002

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                  Maerad has spent most of her life enslaved on a remote farm, until the wandering Bard Cadvan recognizes in her the Gift -- a rare and powerful magical ability -- and takes her from captivity into training. Alison Croggon's Books of Pellinor follow Maerad across the world of Edil-Amarandh as she's drawn into a prophecy naming her the only one who might stop the Nameless One, an ancient and corrupting sorcerer, while she also searches for her lost family. The series runs through The Gift, The Riddle, The Crow, The Singing, and the later prequel The Bone Queen.

                • Cover of The Ropemaker
                  The Ropemaker

                  series · 2 books · 2001

                  completed

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                • WS
                  World of Septimus Heap

                  series · 12 books · 2005

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                • Cover of Song of the Lioness
                  Song of the Lioness

                  series · 5 books · 1983

                  part of Tortall

                  similar bysecondary worldfantasycoming of ageyoung adultadventurous

                  The Song of the Lioness is a young adult series of fantasy novels published in the 1980s by Tamora Pierce. The series consists of four books: Alanna: The First Adventure (1983), In the Hand of the Goddess (1984), The Woman Who Rides Like a Man (1986) and Lioness Rampant (1988).

                • Cover of Protector of the Small
                  Protector of the Small

                  series · 4 books · 1999

                  part of Tortall

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                  The Protector of the Small quartet is a series of young adult fantasy books by American writer Tamora Pierce. The novels explore themes of adolescence, as well as feminism and multiculturalism.

                • Cover of Princess Academy
                  Princess Academy

                  series · 3 books · 2005

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                  Shannon Hale's Princess Academy trilogy (Princess Academy, 2005; Palace of Stone, 2009; The Forgotten Sisters, 2015) begins with Miri, a mountain quarry girl sent to a school built to prepare local girls for the chance that the prince will choose one of them as his bride. The sequels follow Miri to the capital, where she navigates court intrigue while studying, and then out to a remote swamp kingdom as tutor to three sisters caught up in a succession crisis.

                • Cover of The Immortals
                  The Immortals

                  series · 6 books · 1992

                  part of Tortall

                  similar bysecondary worldfantasycoming of ageyoung adultadventurous

                  Tamora Pierce's Immortals quartet follows Daine, a young woman whose 'wild magic' lets her communicate with and shapeshift among animals, as she's drawn into the kingdom of Tortall's defense against immortal creatures -- griffins, dragons and darker things -- released back into the world after centuries sealed away. Beginning with Wild Magic, the four books pair Daine's personal coming-of-age with an escalating magical threat, and connect to Pierce's earlier Song of the Lioness quartet through several shared characters.

                • Cover of The Grisha
                  The Grisha

                  series · 9 books · 2012

                  part of Grishaverse

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                  Leigh Bardugo is an American fantasy author. She is best known for her young adult Grishaverse novels, which include the Shadow and Bone trilogy and the Six of Crows and King of Scars duologies. She also received acclaim for her paranormal fantasy adult debut, Ninth House. The Shadow and Bone and Six of Crows series have been adapted into Shadow and Bone by Netflix, and Ninth House will be adapted by Amazon Studios; Bardugo is an executive producer on both works.

                • Cover of Riftwar Saga
                  Riftwar Saga

                  series · 7 books · 1982

                  part of The Riftwar Universe

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                  The Riftwar Saga is Raymond E. Feist's debut fantasy trilogy, opening with Magician, in which an orphaned apprentice named Pug is swept up when otherworldly invaders emerge through a dimensional rift into the frontier kingdom of Midkemia. Silverthorn and A Darkness at Sethanon carry the resulting war to its close, and the trilogy became the founding entry of Feist's much larger Riftwar Cycle.

                • Cover of Damar
                  Damar

                  series · 6 books · 1982

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                  Robin McKinley's Damar novels are set in a desert kingdom threatened by invasion from the north. The Blue Sword follows Harry Crewe, an orphaned outsider drawn into the Hillfolk's magic and their war; The Hero and the Crown, a Newbery Medal-winning prequel, tells how the earlier book's legendary dragon-slayer Aerin earned her place in Damar's history. The two novels can be read in either order and were written eight years apart.

                • Cover of The Well at the World's End
                  The Well at the World's End

                  William Morris · standalone novel · 1896

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                  The Well at the World's End is a high fantasy novel by the British textile designer, poet, and author William Morris. It was first published in 1896 and has been reprinted repeatedly since, most notably in two parts as the 20th and 21st volumes of the Ballantine Adult Fantasy series, in August and September 1970.

                • Cover of Throne of Glass
                  Throne of Glass

                  series · 15 books · 2012

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                  Throne of Glass is a epic fantasy novel series by American author Sarah J. Maas, beginning with the entry of the same name, released on August 2, 2012. The story follows the journey of Celaena Sardothien, a teenage assassin in a corrupt kingdom with a tyrannical ruler, the King of Adarlan. As the story progresses, Celaena forms unexpected bonds and uncovers a conspiracy amidst her adventures. The series concluded with the eighth book in October 2018.

                • Cover of The Circle Reforged
                  The Circle Reforged

                  series · 3 books · 2005

                  part of Circle of Magic

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                  The Will of the Empress opens The Circle Reforged, reuniting the four young mages of Tamora Pierce's earlier Circle of Magic quartet as adults, now called to travel together again when one of their own is pressured into an unwanted marriage that could cost her freedom and her magic. The trilogy continues Pierce's world of craft-based magic with a more grown-up cast. It was published between 2005 and 2013.

                • Cover of Enchanted (Gail Carson Levine)
                  Enchanted (Gail Carson Levine)

                  series · 5 books · 1997

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                  Gail Carson Levine's fairy-tale retellings are set in a shared kingdom and its neighbors, beginning with Ella Enchanted's spin on Cinderella, in which a girl cursed at birth with unnatural obedience fights to reclaim control of her own choices. Fairest moves to the neighboring kingdom of Ayortha for a take on Snow White, with later volumes continuing to draw on other tales within the same connected world.

                • Cover of The School for Good and Evil
                  The School for Good and Evil

                  series · 8 books · 2013

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                  The School for Good and Evil is a series of books by Soman Chainani based on fairy tales. The first novel in the series was published on May 14, 2013. The series is set in a fictional widespread location known as the Endless Woods.

                • Cover of Circle of Magic (Tamora Pierce)
                  Circle of Magic (Tamora Pierce)

                  series · 4 books · 1997

                  part of Circle of Magic

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                  Four children who don't fit in anywhere else -- Sandry, Tris, Daja, and Briar -- are brought together at the Winding Circle temple community, where each discovers a form of magic no one recognized in them: thread, weather, smithcraft, and plants. Tamora Pierce's Circle of Magic quartet follows their training under unconventional teachers and their growing bond as chosen family, as they learn to turn overlooked, everyday skills into real power. Set in the world of Emelan, it treats craft-based magic as seriously as any wizard's spellbook.

                • Cover of Kingdom (Cynthia Voigt)
                  Kingdom (Cynthia Voigt)

                  series · 4 books · 1985

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